Curation (not covered in Intro class this year)

• Main readings:
• Paolo Cherchi Usai, A Charter of Curatorial Values, NFSA Journal [Canberra] 1.1 (2006): 1-10.
  
• Laura U. Marks, The Ethical Presenter: Or How to Have Good Arguments over Dinner, The Moving Image 4.1 (2004): 34-47.
  
• Snowden Becker, See and Save: Balancing Access and Preservation for Ephemeral Moving Images, Spectator 27 (Spring 2007): 21-28.

Additional Curation readings (optional):

• The Moving Image 4:1, Spring 2004, pages 1-88
• Atkinson, Jane. AGCS Occupational Profile: Programme Researcher: Broadcasting/film/video
• At least 3 of the papers from the March 2003 Toronto Conference  Terms of Address: The Pedagogy and Politics of Film and Video Programming and Curating  (you will need to find the text of these papers yourself)
  
• In Focus: a guide to using films / by Linda Blakaby, Dan Georgakas and Barbara Margolis. NY: Cine Information, 1980.
• American Film Distribution: the changing marketplace / by Suzanne Mary Donahue. MI: UMI Research Press, 1987
• Noriega, Chon A. "On curating," Wide Angle Vol XVII nr 1-4 (1995); p 292-304
• Gilmore, Geoff. "Sundance's agenda," Scenario Vol II nr 3 (Fall 1996); p 4-5
• Peary, Gerald. "Season of the hunt; On the practice of film festival programming," American Film Vol XVI nr 10 (Nov-Dec 1991); p 20
• PaÔni, Dominique. "Comme dans un musee" Journal of Film Preservation no 53 (Nov 1996); p 8-11 (Argues that programming in archives should be directed at building collections. Explores current explosion in film restorations within the context of archival programming.)
• MacDonald, Scott. "Avant-garde at the Flaherty," Wide Angle Vol XVII nr 1-4 (1995); p 256-267
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